Dead Internet Theory
Recorded: Jan. 19, 2026, 10:03 a.m.
| Original | Summarized |
Dead Internet Theory - Dmitry Kudryavtsev I don’t mind people using AI to write code, even though I tried to resist it myself, until eventually succumbing to it. As I was following this thread, I started to see a pattern: the comments of the author looked AI generated too: The use of em-dashes, which on most keyboard require a special key-combination that most people don’t know, and while in markdown two dashes will render as em-dash, this is not true of HackerNews (hence, you often see -- in HackerNews comments, where the author is probably used to Markdown renderer turning it into em-dash) I was sitting there, refreshing the page, seeing the author being confronted with use of AI in both their code and their comments, while the author claiming to have not used AI at all. |
Dmitry Kudryavtsev’s essay “Dead Internet Theory” presents a critical reflection on the evolving nature of online interactions, particularly in the context of artificial intelligence (AI) and its increasing influence on digital content creation. The piece begins with a personal anecdote about Kudryavtsev’s experience on HackerNews, a platform he describes as a “dark corner of the internet” where tech enthusiasts and anonymous users engage in discussions. While browsing this space, he encounters a thread questioning the authenticity of an open-source project’s codebase, with users accusing the author of using AI-generated content. The debate escalates as critics point to anomalies in the project’s commit history and code comments, while the author insists they wrote everything manually. Kudryavtsev acknowledges his own reluctance to use AI in coding, though he admits succumbing to its convenience. However, he emphasizes the importance of transparency about AI’s role in software development, particularly in open-source projects where trust and verification are paramount. He argues that while AI excels at simple tasks, its limitations in handling complex or edge cases necessitate human oversight. This incident prompts him to consider a broader phenomenon: the “Dead Internet,” a term he coins to describe the growing dominance of machine-generated content and automated interactions online. Kudryavtsev’s theory posits that since around 2016, the internet has shifted toward a state where most interactions are mediated by bots or AI systems rather than genuine human engagement. This transformation, he suggests, has eroded the authenticity of digital spaces, replacing organic communication with algorithmically generated content designed to manipulate user behavior or optimize for commercial interests. The essay draws on his personal history with the internet, recalling a time in the early 2000s when online communities were populated by real people, albeit often with pseudonyms and occasional deception. He contrasts this era with the present, where even basic interactions—such as comments on social media or code submissions on platforms like HackerNews—are increasingly suspect. Kudryavtsev’s skepticism is rooted in specific observations, such as the prevalence of AI-generated text patterns, like excessive use of em-dashes (a formatting choice requiring technical knowledge that many users lack) or phrases like “you are absolutely right,” which he claims no human would naturally employ. These anomalies, he argues, suggest a growing reliance on AI tools that generate content in ways that mimic human behavior but lack the nuance and intentionality of real interaction. The author’s concerns extend beyond coding to broader aspects of digital culture, including the proliferation of AI-generated imagery and videos. He cites a LinkedIn post from a tech company showcasing “office vibes” with AI-mangled photographs, where the images exhibit artifacts and incoherent text. This example highlights his fear that even professional content is being manipulated to create misleading narratives, blurring the line between reality and fabrication. Kudryavtsev also references anecdotal reports of AI-generated content on platforms like Facebook, X (formerly Twitter), and TikTok, ranging from implausible historical claims to fabricated videos of individuals making inflammatory statements. These examples underscore his belief that AI’s accessibility has democratized content creation but at the cost of authenticity, enabling users to produce and disseminate material that is indistinguishable from human-generated work. The essay reflects a growing unease about the implications of this trend, particularly in an age where trust in digital media is already fragile. Kudryavtsev’s critique of the “Dead Internet” is not merely a lament for lost authenticity but also a warning about the structural consequences of AI’s dominance. He questions whether the internet, once a space for knowledge-sharing and collaboration, is becoming a feedback loop of recycled content optimized for engagement rather than enlightenment. The essay touches on the commercialization of online spaces, where AI-generated material is often designed to extract user attention or drive consumption. This shift, he argues, risks reducing human creativity and critical thinking to mere inputs for algorithms that prioritize virality over value. Kudryavtsev’s own background as a software engineer and long-time internet user informs his perspective, as he reflects on the early days of online communities where human interaction was central to learning and innovation. He contrasts this with his current experience, where he feels increasingly disconnected from the digital world, unsure whether interactions are genuine or generated by systems designed to mimic human behavior. A recurring theme in the essay is the tension between technological progress and its unintended consequences. While Kudryavtsev acknowledges the benefits of AI, such as its ability to automate repetitive tasks and assist in complex problem-solving, he is wary of its misuse. He highlights the dangers of relying on AI without transparency or accountability, particularly in fields like software development where errors can have significant real-world impacts. The case of the open-source project’s disputed codebase exemplifies this concern: if users cannot verify whether a piece of software was written by a human or an AI, the integrity of the entire ecosystem is compromised. Kudryavtsev also raises ethical questions about the use of AI in generating content that mimics human voices or perspectives, arguing that such practices risk eroding the diversity of thought and expression that once defined the internet. The essay’s tone oscillates between nostalgia for a bygone era of online interaction and apprehension about the future. Kudryavtsev’s personal anecdotes—such as his time spent in IRC channels and phpBB forums during the early 2000s—serve as a counterpoint to his current skepticism, illustrating how the internet’s character has changed. He recalls an era when users engaged in meaningful discussions about technology and culture, driven by genuine curiosity rather than algorithmic curation. This contrast highlights his fear that the internet is becoming a space where human agency is increasingly marginalized, replaced by systems that prioritize efficiency and scalability over authenticity. The phrase “Dead Internet” encapsulates this idea, suggesting a digital realm where interactions are hollow and content is devoid of human intention. Kudryavtsev’s argument also touches on the broader implications of AI for society, particularly in terms of information literacy and critical thinking. He notes that the ease with which AI can generate convincing text or images makes it difficult for users to distinguish between real and artificial content, a challenge that extends beyond technical domains into areas like journalism, politics, and social discourse. This erosion of trust, he suggests, could have far-reaching consequences, undermining the ability to engage in informed debate or make decisions based on reliable information. The essay’s closing reflections express a sense of pessimism about the future, as Kudryavtsev questions whether technology will remain a tool for human empowerment or become a force that perpetuates cycles of misinformation and manipulation. Ultimately, “Dead Internet Theory” is a meditation on the intersection of technology, authenticity, and human connection. Kudryavtsev’s essay does not offer a definitive solution to the challenges he outlines but instead calls attention to the need for vigilance in navigating an increasingly AI-driven digital landscape. His critique is grounded in personal experience and a deep understanding of the internet’s evolution, making it a compelling reflection on the state of online culture. By highlighting the subtle signs of AI’s influence—such as peculiar formatting choices or repetitive phrasing—he underscores the ways in which machine-generated content can infiltrate even the most ostensibly human spaces. The essay serves as a cautionary tale, urging readers to remain critical of the information they encounter and to preserve the values of transparency, accountability, and human creativity in an age where these principles are under threat. |