Running the Stupid Cricut Software on Linux
Recorded: Jan. 26, 2026, 3 p.m.
| Original | Summarized |
Running the Stupid Cricut Software on Linux | Arthur Pizza arthur.pizza arthur.pizza Running the Stupid Cricut Software on Linux December 29, 2025 3 min read Why The Hell Would You do This? When you visit the Design Space Download Page, it seems that the developer chose to use OS detection on the website. If it sees your user agent listed as Linux, for some weird reason it defaults to Mac. Logically, it would make more sense to default to the Windows build, but I think there was some corner cutting on this. Installing the Software Now you can start uploading your designs and colaborating with other through their locked down, proprietary platform. You can even waste money on stock images. © arthur.pizzaCreative Commons CCSA |
Running the Cricut Software on Linux: A Detailed Guide This document details the process of running the Cricut Design Space software on a Linux operating system, primarily focusing on a user’s personal experience and troubleshooting methods. The author, Arthur Pizza, encountered challenges related to the software’s default behavior and provided a step-by-step guide for successful installation and operation, driven by a desire to utilize a previously acquired Cricut machine. The primary motivation for this endeavor stemmed from a dissatisfaction with the Cricut brand and a commitment to maximize the utility of their equipment. The primary difficulty identified was the software’s initial OS detection, which defaults to the macOS build despite the user’s Linux environment. This necessitates the use of a third-party solution – the open-source UserAgent Switcher – to force a Windows 10 emulation. The author highlights the potential for corner-cutting in development, suggesting a more logical default setting. The installation process itself is a multi-stage operation, recommended for initial execution only due to its complexity. The author stresses the importance of a properly configured WINE environment, including the execution of `winecfg` to ensure compatibility. The installation involves running the `CricutDesignSpace-Install-v9.47.92.exe` installer, mirroring a typical Windows installation procedure. Subsequently, the operation relies on a dual-terminal approach. The first terminal executes `wine Cricut Design Space.exe`, triggering the login panel and launching the default web browser. This terminal is crucial for initiating the login process within the software’s browser-based interface. The second terminal employs the same command, but strategically incorporates the URL string `cricut://?code=XXXXXXXXXXXXXXXXXXX` to bypass the typical interaction between the WINE-wrapped application and the default browser. This technique allows the software to recognize and process the code parameter, effectively completing the login. The author emphasizes the need for a deliberate approach, specifying the use of `where cricut` to identify the correct application path. Furthermore, the author cautions against assuming a seamless integration between the WINE environment and the native browser, illustrating the necessity of manually extracting the required URL component. This process essentially circumvents the software’s inherent limitations and replicates a functional login experience. The document concludes with a pragmatic assessment of the Cricut platform itself, noting the potential for expenditure on stock images. This final observation underscores the user's perspective, driven by the desire to effectively utilize the machine regardless of the limitations imposed by its proprietary ecosystem. The author’s detailed account provides a practical, albeit somewhat convoluted, guide for individuals seeking to operate Cricut Design Space on a Linux system, highlighting the need for careful configuration, strategic command execution, and an understanding of the software's inherent limitations. |