A $2,000 AI-generated film will make its debut at Tribeca | The VergeSkip to main contentThe homepageThe VergeThe Verge logo.The VergeThe Verge logo.TechReviewsScienceEntertainmentAIPolicyNotificationsNotificationsHamburger Navigation ButtonThe homepageThe VergeThe Verge logo.NotificationsNotificationsHamburger Navigation ButtonNavigation DrawerThe VergeThe Verge logo.Login / Sign UpcloseCloseSearchTechExpandAmazonAppleFacebookGoogleMicrosoftSamsungBusinessSee all techReviewsExpandSmart Home ReviewsPhone ReviewsTablet ReviewsHeadphone ReviewsSee all reviewsScienceExpandSpaceEnergyEnvironmentHealthSee all scienceEntertainmentExpandTV ShowsMoviesAudioSee all entertainmentAIExpandOpenAIAnthropicSee all AIPolicyExpandAntitrustPoliticsLawSecuritySee all policyGadgetsExpandLaptopsPhonesTVsHeadphonesSpeakersWearablesSee all gadgetsVerge ShoppingExpandBuying GuidesDealsGift GuidesSee all shoppingGamingExpandXboxPlayStationNintendoSee all gamingStreamingExpandDisneyHBONetflixYouTubeCreatorsSee all streamingTransportationExpandElectric CarsAutonomous CarsRide-sharingScootersSee all transportationFeaturesVerge VideoExpandTikTokYouTubeInstagramPodcastsExpandDecoderThe VergecastVersion HistoryNewslettersArchivesStoreVerge Product UpdatesSubscribeFacebookThreadsInstagramYoutubeRSSThe VergeThe Verge logo.A $2,000 AI-generated film will make its debut at TribecaNotificationsNotificationsComments DrawerNotificationsCommentsLoading commentsGetting the conversation ready...EntertainmentCloseEntertainmentPosts from this topic will be added to your daily email digest and your homepage feed.FollowFollowSee All EntertainmentAICloseAIPosts from this topic will be added to your daily email digest and your homepage feed.FollowFollowSee All AIFilmCloseFilmPosts from this topic will be added to your daily email digest and your homepage feed.FollowFollowSee All FilmA $2,000 AI-generated film will make its debut at TribecaDreams of Violets tells the story of the Iranian government’s mass killing of civilians.Dreams of Violets tells the story of the Iranian government’s mass killing of civilians.by Emma RothCloseEmma RothNews WriterPosts from this author will be added to your daily email digest and your homepage feed.FollowFollowSee All by Emma RothMay 28, 2026, 4:08 PM UTCLinkShareGiftImage: Fountain 0Emma RothCloseEmma RothPosts from this author will be added to your daily email digest and your homepage feed.FollowFollowSee All by Emma Roth is a news writer who covers the streaming wars, consumer tech, crypto, social media, and much more. Previously, she was a writer and editor at MUO.Next month’s Tribeca Festival will include the premiere of an AI-generated film: Dreams of Violets. The 75-minute film is a fictional dramatization of the Iranian government’s mass killing of protestors in January, with the people and images fully created by AI, as reported earlier by The Hollywood Reporter.Dreams of Violets cost $2,000 to make and is “based on journalistic reports, photographs, and eyewitness accounts,” according to a press release. It was created by Ash and Pooya Koosha, two brothers who left Iran in 2009. Pooya co-founded Fountain 0, the company behind the film, while Ash serves as CEO.Fountain 0 says Dreams of Violets is the first full-length, live-action, AI-generated film to be accepted at a major film festival. As noted by The Hollywood Reporter, a costlier AI-generated film called Hell Grind screened at Cannes — but at a side event, not the main program. The Pooya brothers say they used Google’s Nano Banana for images, Kling AI for video generation, and Anthropic’s Claude for language editing, according to The Hollywood Reporter.Over the past year, AI has become an even more prominent tool in Hollywood. Netflix is embracing the technology with the creation of an AI animation studio and the acquisition of Ben Affleck’s AI startup, while Amazon’s Prime Video just ordered three AI-generated animation series. Meanwhile, Critterz, a film powered by OpenAI’s now-shuttered Sora tool, is trying to find a new AI partner.“We fully understand the very genuine sensitivities of those individuals working in the movie industry, and like them we are worried what the unknown implications are for the livelihoods of many,” the Kooshas say in the release. “But the reality is that this film never would have been made if it were not for the AI capabilities that we were able to develop.”Dreams of Violets will screen at the Tribeca Festival on June 10th.Follow topics and authors from this story to see more like this in your personalized homepage feed and to receive email updates.Emma RothCloseEmma RothNews WriterPosts from this author will be added to your daily email digest and your homepage feed.FollowFollowSee All by Emma RothAICloseAIPosts from this topic will be added to your daily email digest and your homepage feed.FollowFollowSee All AIEntertainmentCloseEntertainmentPosts from this topic will be added to your daily email digest and your homepage feed.FollowFollowSee All EntertainmentFilmCloseFilmPosts from this topic will be added to your daily email digest and your homepage feed.FollowFollowSee All FilmMost PopularMost PopularValve raises Steam Deck prices by more than $200The golden age of handheld gaming is already overSony’s first RGB TV is a statement pieceKia’s flagship EV has a battery problemSony is offering up to 50 percent off some of our favorite PS5 gamesThe Verge DailyA free daily digest of the news that matters most.Email (required)Sign UpBy submitting your email, you agree to our Terms and Privacy Notice. 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A forthcoming film titled Dreams of Violets, which cost $2,000 to produce, is set to make its debut at the Tribeca Festival. This feature is a fictional dramatization concerning the mass killing of civilians by the Iranian government, with the people and images in the film entirely generated using artificial intelligence. The film was created by Ash and Pooya Koosha, brothers who emigrated from Iran in 2009; Pooya co-founded the company Fountain 0, which is behind the film, while Ash serves as its CEO. Fountain 0 asserts that Dreams of Violets represents the first full-length, live-action, AI-generated film to be accepted into a major film festival.

The production process relied heavily on advanced AI technologies. According to the creators, they utilized Google’s Nano Banana for image generation, Kling AI for video creation, and Anthropic’s Claude for language editing. This project highlights the increasing integration of artificial intelligence within the film industry. The creators acknowledged the genuine sensitivities surrounding the use of AI, expressing concern about the unknown implications for the livelihoods of industry workers, though they maintain that the film would not have been possible without the AI capabilities developed.

The broader context indicates a significant shift toward AI adoption in major media conglomerates. Netflix is actively engaging with this technology by establishing an AI animation studio and acquiring an AI startup founded by Ben Affleck. Furthermore, Amazon Prime Video has initiated orders for several AI-generated animation series. Concurrently, other entities are exploring AI partnerships, as evidenced by Critterz, a film powered by OpenAI’s Sora tool, seeking new collaborators. This development underscores the rapid prominence of AI tools in the cinematic landscape.