AI-generated posters don’t have to be horrible | ‘ERE I AM - JH!

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AI-generated posters don’t have to be horrible

Jun 7, 2026

The problem
A now famous Facebook post shows us the
scourge of identikit posters generated by AI.
Here’s an article on the subject from the Independent.

A collage of AI-generated village fayre posters found online

Here’s another I found in the wild. With apologies for picking on the
Leamington Beer Festival - they are by no means unique

Leamington Beer Festival 2026 — with commentary from a passer-by

The problem with these is not so much that they’re bad. They’re OK,
I don’t love them. The problem is that once you’ve seen that style 20 times
it starts to irritate just from the sheer repetition.
I knew that even ChatGPT was capable of a broader variety of styles than this,
so I set out to prove it.
I gave ChatGPT some invented event details and asked it to produce a poster.
Rather than go with the default look it would choose for a spring fayre,
I made a point of specifying what I thought was a different style:

Me:
Produce a poster for a spring fayre.
21 April - 11am to 3pm
Mill Beach Park, Honeyford
Free entry
Tombola
Cakes and drinks
Performance by a samba band and a dhol band.
Craft stalls
Circus Skills workshop
Go for a clean, unfussy, bright layout with a bold striking spring-themed
graphic. Avoid pastel/airbrush/oil style art or images of people.

This is what came back.

First attempt — the default craft-fayre template

Not as successful as I hoped. To me it still feels like what I’m trying to
avoid.
I asked for something deliberately different.

Me:
Make another one using a completely different design aesthetic of your choice.
Treat the current one as a “what not to do” – not that there is anything
wrong with it, but we want ours to stand out from other posters that look
similar.

Second attempt — Bauhaus / geometric modernist

I think this is already much better. It stands out just be being different. I wondered what I would call this style if I wanted to ask for it again?

Me: What is this design style you’ve used called?
ChatGPT: This one is leaning into a modernist / Bauhaus-influenced graphic style, with a bit of contemporary “flat illustration” layered on top.
More specifically, you could describe it as:
Bauhaus / Modernist Poster Design

Rooted in the Bauhaus tradition (1920s–30s)
Strong emphasis on function over decoration
Asymmetrical layout with clear hierarchy
Bold, simple sans-serif typography
Limited, high-contrast colour palette

Geometric Minimalism

Built from basic shapes (circles, semicircles, rectangles)
The flower is abstracted into almost symbolic forms
Very little texture or shading — mostly flat colour

Swiss Style (International Typographic Style) influence

Clean grid-based alignment (even if loosely applied)
Information-first layout
Clear, legible structure

If you wanted a shorthand label for a designer or printer, you could call it:
“Bauhaus-inspired geometric minimalist poster”
If you’re trying to stand out, this direction works well because most local event posters default to:

bunting
hand-drawn florals
pastel palettes
“craft fair” aesthetics

Whereas this feels more like:

a gallery poster
a design museum flyer
or something you’d see in a well-curated café

If you want, I can push it further into a really distinctive niche (e.g. brutalist, risograph, 90s rave flyer, Japanese minimal, etc.).

Well, thanks GPT. I knew there was an endless array of design styles that it could produce. Instead of trying to dredge some names from my memory, I asked for suggestions.
It replied with a list of styles, some of which I’d never heard of, some
I recognised but couldn’t picture, some which were names I didn’t know for
styles I did.

Me: Give me a list of styles to choose from
ChatGPT: Here’s a deliberately varied menu—some safe-but-distinct, some quite left-field. I’ve kept each one concrete so you can imagine how your fayre poster would actually look.
🎨 Clean but Characterful
1. Bauhaus / Modernist
(What you just saw)
Geometric shapes, primary colours, strong type
Feels cultural / design-led rather than “craft fair”
2. Swiss Style
strict grid, lots of whitespace
Black/white + one accent colour
Very “information design”, almost institutional
3. Contemporary Editorial (Magazine-style)
Big headline, elegant serif + sans mix
Think weekend supplement or gallery leaflet
Could feel surprisingly premium for a fayre
🌿 Graphic & Illustrative (but not twee)
4. Risograph Print Style
Limited ink colours, slightly misregistered layers
Grainy textures, bold shapes
Feels handmade but designed, not crafty
5. Cut Paper / Collage (Matisse-inspired)
Inspired by Henri Matisse cut-outs
Organic shapes, bold colour blocks
Very striking from a distance
6. Botanical Scientific Illustration (Modernised)
Clean line drawings of plants, labelled or diagram-like
Monochrome + one highlight colour
Quietly distinctive, slightly academic
⚡ Bold / Unusual Directions
7. Brutalist Graphic Design
Raw, high-contrast, almost “ugly on purpose”
Heavy black blocks, stark type
Feels rebellious—very different from typical village posters
8. 90s Rave Flyer / Acid Graphics
Neon colours, warped type, energetic layout
Could echo the samba/dhol energy
Surprisingly effective if done with restraint
9. Memphis Design (80s Postmodern)
Playful shapes, squiggles, clashing colours
Inspired by Memphis Group
Fun but still graphic and bold
🧭 Quietly Distinct / Understated
10. Japanese Minimal Poster
Very restrained layout, lots of empty space
One strong graphic element
Elegant, calm, and unusual in this context
11. Monochrome + Single Accent (Ultra-minimal)
Black, white, and e.g. bright green or orange
Typography-led, almost no illustration
Relies on composition rather than decoration
12. Wayfinding / Signage Style
Looks like a park map or transport signage
Icons, arrows, structured layout
Functional but visually interesting
🎪 Slightly Playful but Still Clean
13. Modern Icon System
Everything represented as simple icons
Consistent stroke weight, grid-based
Feels like an app UI or transport system
14. Stamp / Letterpress Style (Modernised)
Bold inked shapes, slight imperfections
Limited palette, strong contrast
Suggests “event” without being twee
15. Festival Poster (Contemporary Indie)
Big central graphic + stacked lineup text
Borrow cues from music festivals
Works nicely given the bands
If you want a steer
Given your brief (“clean, unfussy, bold, no twee imagery”), the strongest stand-out options are:

Risograph
Cut paper / Matisse
Brutalist (toned down slightly)
Japanese minimal
Wayfinding / signage

If one of these clicks, I can generate a poster in that exact style—and push it properly, not just superficially.

Asking for specific aesthetics produced a variety of posters.
Now, I’m not claiming these don’t have a whiff of AI about them. I don’t think that’s really my goal - we can be honest that we’re using AI, we just don’t want it to have that look that everyone’s sick of.

Me: Please give me Stamp / Letterpress Style (Modernised)

Stamp / letterpress style

Me: and now please Japanese Minimal Poster

Japanese minimal

Me: Now do Memphis Design please

(I didn’t know what Memphis Group design was, but I recognised if when I saw it.

Memphis design

Then I got a bit silly. Designers Republic is a design agency famous for
record covers from the late 80s onwards.

Me: And now in the style of Designers Republic

Designers Republic inspired

One note here is that along the way, the poster has acquired extra text
(“A day of music making and family fun”) – it’s decided that Designers
Republic would have thrown in some text of that kind, so it’s come up
with some words. Those words are now in the chat context, so they appear
in subsequent posters.
If you were working from scratch, you’d just ask for the style you want
in the first place, and avoid picking up trappings as you go.

Me: Now as if a professional graphic designer has added typography to a poster paint drawing by his young child.

Child's poster paint + professional typography

Me: Now with the aesthetic of a photocopied 1980 punk fanzine. But with some colour snuck in.

1980s punk fanzine

Me: Now please make one in the style of a 90s drum n bass gig flyer, with early 3D/fractal computer imagery

90s drum and bass flyer

Back to sensible ideas, naming an art style but asking for a poster
that movement might have used, seems like a strong tactic.

Me: Now in the style of a contemporary 40s poster for a cubist exhibition.

1940s cubist exhibition poster

So there we are. The sharp-eyed are still going to recognise these as
AI-generated, but they’re distinctive, and I think they’re not ugly.
So that’s the moral - you don’t have to make posters that look like everyone
else’s.
There’s a further step - you don’t have to ask AI for posters as images
that can’t be edited. Claude and Gemini can generate HTML, PNG, PDF,
where the text is real text, layers are real layers, you can change fonts,
move things around, edit the text – but that’s more than I want to talk about today.
Inspired by this blog post, I went on to make a catalogue of one hundred poster styles,
with ready-to-paste prompts and example images for each one.

ukslim ere-i-am-jh.bsky.social /feed.xml

The experience detailed in the text explores the issue of repetitive, often generic, aesthetics in AI-generated posters and posits a methodology for using large language models to achieve distinctive design styles, moving beyond the default outputs. The author initially faced a problem where AI-generated posters of local events, such as village fairs, suffered from repetition, causing irritation due to sheer familiarity. To counteract this, the author utilized a large language model to generate an event poster, deliberately specifying constraints to avoid common, easily recognizable styles like pastel, airbrush, or oil art.

The process evolved from a simple request to a nuanced design exploration. After an initial attempt yielded a default craft-fair template, the author refined the prompt by instructing the AI to adopt a completely different design aesthetic. This iterative prompting led to the discovery of a wide spectrum of design styles that the model could emulate, prompting the author to ask for a varied menu of options. The AI proposed a diverse list, ranging from the structured Bauhaus / Modernist style and Swiss Style to more expressive directions like Risograph Print, Cut Paper / Collage, Brutalist Graphic Design, 90s Rave Flyer, and Japanese Minimal Poster.

The text dissects the characteristics of these suggested styles, emphasizing how each aesthetic offers a unique visual language. For instance, the Bauhaus style is defined by functionalism, asymmetrical layout, and bold typography, contrasting sharply with the typically craft-focused aesthetics of local event posters. Japanese Minimal Poster is characterized by restraint, ample negative space, and a singular graphic element, offering an understated and calm alternative. Other suggestions included high-energy styles like 90s drum and bass flyers and playful postmodern approaches such as Memphis Design, demonstrating the AI's capacity to generate complex visual concepts based on historical and contemporary design movements.

The author concludes that the goal is not to obscure the use of AI but to leverage its capability to produce visually unique results that avoid the ubiquitous "look" associated with mass-produced, repetitive imagery. By asking for specific aesthetic names rather than vague visual descriptions, the user successfully directed the AI toward distinct visual niches. This entire exercise suggests a tactic where naming established design movements functions as a powerful means of prompt engineering, allowing the user to direct the generative process toward sophisticated, highly specific visual outcomes. Furthermore, the text hints at a further step, noting that some AI models can generate editable formats like HTML or PNG, suggesting a pathway for users to move beyond static image generation toward more malleable, professional design assets.